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	<title>Reacties op: Citizen journalism at the World Audio Festival 2006</title>
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	<description>media creatie &#38; publicatie</description>
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		<title>Door: chake</title>
		<link>http://melodiefabriek.nl/2006/11/citizen-journalism-at-the-world-audio-festival-2006/comment-page-1/#comment-259469</link>
		<dc:creator>chake</dc:creator>
		<pubDate>Thu, 24 Sep 2009 00:18:37 +0000</pubDate>
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		<description>comment5 &lt;a href=&quot;http://where-is-the-fuel-filter-located.koslutaredo.com/personal-home-videos-free-work-at-home-jobs-work-at-home-legitimate-work-at-home-opportunities-homes-for-sale&quot; rel=&quot;nofollow&quot;&gt;rickey smiley&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>comment5 <a href="http://where-is-the-fuel-filter-located.koslutaredo.com/personal-home-videos-free-work-at-home-jobs-work-at-home-legitimate-work-at-home-opportunities-homes-for-sale" rel="nofollow">rickey smiley</a></p>
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		<title>Door: Marco Raaphorst</title>
		<link>http://melodiefabriek.nl/2006/11/citizen-journalism-at-the-world-audio-festival-2006/comment-page-1/#comment-22043</link>
		<dc:creator>Marco Raaphorst</dc:creator>
		<pubDate>Sun, 12 Nov 2006 12:25:16 +0000</pubDate>
		<guid isPermaLink="false">http://melodiefabriek.nl/2006/11/11/citizen-journalism-at-the-world-audio-festival-2006/#comment-22043</guid>
		<description>I think the Creative Commons BY-SA License or maybe BY-SA-NC would be appropriate for non-commercial broadcasting. 

The main point is: it&#039;s an investment for the future. All old productions have only broadcast-rights for like 2 or 3 viewings on television. That&#039;s totally unbelievable these days, but still: nothing has changed (yet). Production companies are still working for large sums of money and restricting everything with the same old copyright we&#039;ve had for years. Acting like the internet doesn&#039;t exists at all...</description>
		<content:encoded><![CDATA[<p>I think the Creative Commons BY-SA License or maybe BY-SA-NC would be appropriate for non-commercial broadcasting. </p>
<p>The main point is: it&#8217;s an investment for the future. All old productions have only broadcast-rights for like 2 or 3 viewings on television. That&#8217;s totally unbelievable these days, but still: nothing has changed (yet). Production companies are still working for large sums of money and restricting everything with the same old copyright we&#8217;ve had for years. Acting like the internet doesn&#8217;t exists at all&#8230;</p>
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		<title>Door: gurdonark</title>
		<link>http://melodiefabriek.nl/2006/11/citizen-journalism-at-the-world-audio-festival-2006/comment-page-1/#comment-22035</link>
		<dc:creator>gurdonark</dc:creator>
		<pubDate>Sun, 12 Nov 2006 11:35:15 +0000</pubDate>
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		<description>You&#039;d think that people would begin to understand that if one is going to fund something with public money, then some public license is appropriate. Yet some folks are still mired in old-fashioned thinking.

It&#039;s not that I mind copyright--it&#039;s fine for the state to create this protection for artists. But it&#039;s more than fine--certainly desirable--for the state (or people in the private market) to demand some compromises in return for funding things like this.

It would be cool, though, if all such festivals were Creative Commons/GNU/open source in orientation. Imagine how much great music
could be placed for easy access by the public. The artists could benefit directly from the funding, and the improvements in audio technology means that no longer would such a venture necessarily be lesser in sound quality.</description>
		<content:encoded><![CDATA[<p>You&#8217;d think that people would begin to understand that if one is going to fund something with public money, then some public license is appropriate. Yet some folks are still mired in old-fashioned thinking.</p>
<p>It&#8217;s not that I mind copyright&#8211;it&#8217;s fine for the state to create this protection for artists. But it&#8217;s more than fine&#8211;certainly desirable&#8211;for the state (or people in the private market) to demand some compromises in return for funding things like this.</p>
<p>It would be cool, though, if all such festivals were Creative Commons/GNU/open source in orientation. Imagine how much great music<br />
could be placed for easy access by the public. The artists could benefit directly from the funding, and the improvements in audio technology means that no longer would such a venture necessarily be lesser in sound quality.</p>
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